Good Will Hunting Talk About My Wife Again

1997 American film by Gus Van Sant

Expert Will Hunting
Theatrical release poster
Directed by	Gus Van Sant
Written past	Ben Affleck Matt Damon
Produced by	Lawrence Bender
Starring	Robin Williams Matt Damon Ben Affleck Stellan Skarsgård Minnie Commuter
Cinematography	Jean-Yves Escoffier
Edited by	Pietro Scalia
Music by	Danny Elfman
Production company	Be Gentlemen[1]
Distributed past	Miramax Films[i]
Release dates	December two, 1997 (1997-12-02) (Bruin Theater) December 5, 1997 (1997-12-05) (United states of america)
Running time	126 minutes[i]
Land	United States[one]
Linguistic communication	English
Upkeep	$x million[ii]
Box role	$225.9 million[3]

Good Will Hunting is a 1997 American psychological drama film directed by Gus Van Sant, and starring Robin Williams, Matt Damon, Ben Affleck, Minnie Commuter and Stellan Skarsgård. Written by Affleck and Damon, the film follows xx-yr-erstwhile South Boston janitor Will Hunting (Damon), an unrecognized genius who, every bit part of a deferred prosecution agreement after assaulting a police officer, becomes a patient of a therapist (Williams) and studies advanced mathematics with a renowned professor (Skarsgård). Through his therapy sessions, Will re-evaluates his relationships with his best friend (Affleck), his girlfriend (Driver), and himself, facing the significant task of confronting his past and thinking almost his future.

The moving-picture show received positive reviews from critics and grossed over $225 million during its theatrical run against a $10 million budget. At the 70th Academy Awards, information technology received nominations in 9 categories, including Best Pic and Best Manager, and won in 2: All-time Supporting Role player for Williams and All-time Original Screenplay for Affleck and Damon. In 2014, it was ranked at number 53 in The Hollywood Reporter 's "100 Favorite Films" listing.^[4]

Plot [edit]

20-year-old Will Hunting of South Boston is a natural genius who is self-taught. He works as a janitor at MIT and spends his free time drinking with his friends Chuckie, Billy, and Morgan. When Professor Gerald Lambeau posts a hard combinatorial mathematics trouble on a blackboard equally a claiming for his graduate students, Volition solves the problem anonymously, stunning both the students and Lambeau. As a claiming to the unknown genius, Lambeau posts an even more difficult trouble. Will flees when Professor Lambeau catches him writing the solution on the blackboard late at night. At a bar, Volition meets Skylar, a British adult female about to graduate from Harvard College, who plans on attending medical schoolhouse at Stanford.

The next twenty-four hours, Will and his friends fight a gang that contains a member who used to bully Will as a child. Will is arrested later he attacks a responding police officer. Lambeau sits in on his court advent and watches Will defend himself. He arranges for him to avoid jail time if he agrees to study mathematics under Lambeau'southward supervision and participate in psychotherapy sessions. Will tentatively agrees but treats his therapists with mockery. In desperation, Lambeau calls on Dr. Sean Maguire, his college roommate, who now teaches psychology at Bunker Colina Community College. Unlike other therapists, Sean actually challenges Will's defense mechanisms. During the offset session, Will insults Sean's deceased married woman, and Sean threatens him—but after a few unproductive sessions, Will finally begins to open up up.

Will is particularly struck by Sean's story of how he met his wife, who later on died of cancer, by giving up his ticket to the historic game half-dozen of the 1975 World Series, later on falling in love at commencement sight. Sean's caption for surrendering his ticket was to "see about a daughter," and he does not regret his determination. This encourages Will to build a human relationship with Skylar, though he lies to her about his past and is reluctant to introduce her to his friends or bear witness her his rundown neighborhood. Will as well challenges Sean to accept an objective look at his own life, since Sean cannot motility on from his wife's decease.

Lambeau sets upwards a number of job interviews for Volition, but Will scorns them past sending Chuckie every bit his "master negotiator", and past turning down a position at the NSA with a scathing critique of the bureau's moral position. Skylar asks Will to move to California with her, but he refuses and tells her he is an orphan, and that his foster father physically abused him. Will breaks upwardly with Skylar and afterwards storms out on Lambeau, dismissing the mathematical research he has been doing. Sean points out that Volition is so adept at anticipating time to come failure in his interpersonal relationships that he deliberately sabotages them in order to avoid emotional pain. Chuckie likewise challenges Will over his resistance to taking any of the positions he interviews for, telling Will he owes it to his friends to make the virtually of opportunities they will never have, even if it means leaving ane day. He then tells Will that the best part of his mean solar day is a brief moment when he waits on his doorstep thinking Will has moved on to something greater.

Will walks in on a heated argument betwixt Sean and Lambeau over his potential. Sean and Will share and notice out that they were both victims of child abuse. Sean helps Volition to see that he is a victim of his ain inner demons and to accept that it is not his fault, causing him to break downward in tears. Volition accepts ane of the job offers arranged by Lambeau. Having helped Volition overcome his issues, Sean reconciles with Lambeau, deciding to take a sabbatical. Volition's friends present him with a Chevrolet Nova for his 21st birthday so he can commute to work. Later, Chuckie goes to Will'southward house to pick him upward, only to observe that he is not at that place, much to his happiness. Will sends Sean a alphabetic character telling him to tell Lambeau that he had to go "meet about a girl", revealing he passed on the chore offer and instead is heading to California to reunite with Skylar.

Bandage [edit]

• Robin Williams as Dr. Sean Maguire
• Matt Damon as Will Hunting
• Ben Affleck as Chuckie Sullivan
• Stellan Skarsgård as Professor Gerald Lambeau
• Minnie Commuter every bit Skylar
• Casey Affleck as Morgan O'Mally
• Cole Hauser as Baton McBride
• John Mighton as Tom
• Scott William Winters as Clark
• Jimmy Flynn as Judge George H. Malone
• Christopher Britton as Executive #2
• Alison Folland as MIT Student
• George Plimpton as Henry Lipkin

Production [edit]

Development [edit]

Matt Damon started writing the moving picture equally a final consignment for a playwriting class he was taking at Harvard University.^[5] Instead of writing a 1-deed play, Damon submitted a 40-page script.^[5] He wrote his then-girlfriend, medical student Skylar Satenstein (credited in the endmost credits of the film), into his script.^[6] Damon said the only scene from that script that survived – "information technology survived verbatim" – was when Volition Hunting (Damon) meets his therapist, Sean Maguire (Robin Williams), for the first time.^[5] Damon asked Ben Affleck to develop the screenplay together. They completed the script in 1994.^[v] At first, it was written as a thriller about a immature homo in the rough-and-tumble streets of South Boston who possesses a superior intelligence and is targeted by the government with heavy-handed recruitment.^[v]

Castle Rock Entertainment bought the script for $675,000 against $775,000, meaning that Damon and Affleck would stand to earn an additional $100,000 if the film was produced and they retained sole writing credit.^{[ citation needed ]} Castle Rock president Rob Reiner urged them to drop the thriller aspect of the story and to focus on the relationship between Will and his therapist. Terrence Malick told Affleck and Damon over dinner that the film ought to end with Will's conclusion to follow his girlfriend Skylar to California, not them leaving together.^[7]

At Reiner'due south request, screenwriter William Goldman read the script. Goldman consistently denied the persistent rumor that he wrote Proficient Will Hunting or acted as a script doctor. In his book Which Prevarication Did I Tell? Goldman jokingly writes, "I did not but doctor it. I wrote the whole thing from scratch," before dismissing the rumor as simulated and maxim his but advice was agreeing with Reiner's suggestion.^[8]

Affleck and Damon proposed to act in the lead roles, only many studio executives said they wanted Brad Pitt and Leonardo DiCaprio.^[9] Meanwhile, Kevin Smith was working with Affleck on Mallrats and with both Damon and Affleck on Chasing Amy. ^[10] Castle Rock put the script in turnaround, and gave Damon and Affleck 30 days to find another buyer for the script who would reimburse Castle Stone the money paid, otherwise the script reverted to the studio, and Damon and Affleck would be out. All the studios that were involved in the original behest war for the screenplay at present turned the pair down, taking meetings with Affleck and Damon just to tell them this to their face. As a concluding resort, Affleck passed the script to his Chasing Amy director Kevin Smith, who read it and promised to walk the script directly into Harvey Weinstein'south function at Miramax. Weinstein read the script, loved information technology, and paid Castle Rock their due, while as well agreeing to allow Damon and Affleck star in the film. Weinstein asked that a few scenes be removed, including an out-of-identify, mid-script oral sex scene that Damon and Affleck added to fob executives who were not looking closely.^[5]

After buying the rights from Castle Rock, Miramax put the film into production. Several well-known filmmakers were originally considered to direct, including Mel Gibson and Michael Mann.^[xi] Originally, Affleck asked Kevin Smith whether he was interested in directing. He declined, saying they needed a "good director" and that he only directs things he writes and is not much of a visual managing director, only still served every bit one of the film's executive producers. Damon and Affleck after chose Gus Van Sant for the job, whose work on previous films like Drugstore Cowboy (1989) had left a favorable impression on the fledgling screenwriters. Miramax was persuaded and hired Van Sant to directly the film.

Filming [edit]

Filming took place between April and June 1997. Although the story is set in Boston, and many of the scenes were shot on location in the Greater Boston area, many of the interior shots were filmed at locations in Toronto, with the University of Toronto standing in for MIT and Harvard University. The classroom scenes were filmed at McLennan Physical Laboratories (of the Academy of Toronto) and Central Technical School. Harvard normally disallows filming on its property, but permitted limited filming by the project after intervention by Harvard alumnus John Lithgow.^[12] Also, only the exterior shots of Bunker Hill Community College were filmed in Boston; however, Sean's function was built in Toronto as an exact replica of 1 at the college.^[xiii]

The interior bar scenes gear up in "Southie" were shot on location at Woody's L St. Tavern.^[14] Meanwhile, the homes of Volition (190 W sixth Street) and Sean (259 Eastward Street), while some distance apart in the flick, really support to each other on Bowen Street, the narrow street Chuckie drives down to walk up to Will's back door.^{[xv] [16]}

The Bow and Pointer Pub, which was located at the corner of Bow Street and Massachusetts Artery in Cambridge, doubled as the Harvard bar in which Will met Skylar for the commencement time.^[17] The Baskin-Robbins/Dunkin' Donuts featured in the "How exercise you like them apples?" scene was next door to the pub at the time of the film's release.^[xvi]

The Tasty, at the corner of JFK and Brattle Streets, was the scene of Volition and Skylar's first osculation.^[18] The Au Bon Pain, where Will and Skylar discuss the one-time's photographic memory, was at the corner of Dunster Street and Mass Ave.^[19]

The Boston Public Garden bench on which Will and Sean sat for a scene in the motion picture became a temporary shrine after Williams's decease in 2014.^[20]

Soundtrack [edit]

Adept Will Hunting: Music from the Miramax Picture show
Soundtrack album by Various artists
Released	December 2, 1997
Genre	Soundtrack, indie rock, acoustic stone, indie folk
Label	Capitol

The musical score for Practiced Will Hunting was equanimous past Danny Elfman, who had previously collaborated with Gus Van Sant on To Dice For and would proceed to score many of the managing director'south other films.^[21] The motion picture likewise features many songs written and recorded by singer-songwriter Elliott Smith. His song "Miss Misery" was nominated for the Academy Honor for Best Original Song, but lost to "My Heart Will Go On" from Titanic.^[22] Elfman's score was also nominated for an Oscar, but lost to Titanic likewise. On September 11, 2006, The Today Testify used Elfman'southward vocal "Weepy Donuts" while Matt Lauer spoke during the opening credits.

A soundtrack album for the film was released past Capitol Records on November 18, 1997, though only two of Elfman's cues appear on the release.^{[23] [24]}

Skilful Volition Hunting: Music from the Miramax Motion Pic

No.	Title	Music	Length
1.	"Between the Bars (Orchestral)"	Elliott Smith	1:09
ii.	"Equally the Rain"	Jeb Loy Nichols	four:51
3.	"Angeles"	Elliott Smith	2:55
4.	"No Name #3"	Elliott Smith	3:10
v.	"Fisherman'south Blues"	The Waterboys	4:19
half-dozen.	"Why Practise I Lie?"	Luscious Jackson	three:27
7.	"Will Hunting" (Main Titles)"	Danny Elfman	ii:41
8.	"Between the Bars"	Elliott Smith	2:21
ix.	"Say Yes"	Elliott Smith	ii:15
10.	"Baker Street"	Gerry Rafferty	4:08
eleven.	"Somebody's Baby"	Andru Donalds	3:x
12.	"Boys Better"	The Dandy Warhols	iv:32
13.	"How Can You Mend a Broken Middle?"	Al Green	6:eighteen
14.	"Miss Misery"	Elliott Smith	3:12
15.	"Weepy Donuts"	Danny Elfman	3:48
Full length:			52:16

"Afternoon Delight" by the Starland Vocal Band was featured in the moving picture, simply did not appear on the soundtrack anthology.

Good Will Hunting: Original Motion Picture Soundtrack
Soundtrack album by Danny Elfman, Elliott Smith
Released	March 3, 2014
Genre	Soundtrack
Label	Music Box Records

A express edition soundtrack anthology featuring Elfman's complete score from the motion picture was released past Music Box Records on March three, 2014. The soundtrack, issued in 1500 copies, includes all of Elfman's cues (including music not featured on the rare Miramax Academy promo) and besides contains the songs by Elliott Smith. One of the tracks is Smith's songs with Elfman's arrangements added into the mix.^[25]

1. Chief Title (2:44)
2. Genie Mopper (0:37)
3. First Adding (1:08)
4. Theorem (0:42)
5. Kick Donkey Choir (0:59)
6. Mystery Math (two:28)
7. Them Apples (0:57)
8. Jail (1:13)
9. Second Shrink (1:xiv)
10. Any Port (1:25)
11. Times Up (1:fourteen)
12. Oliver Twist (one:58)
13. Staring Contest (0:49)
14. Hush-hush Weapon (0:57)
15. Servant (Role A) (0:58)
16. Retainer (Part B) (0:twenty)
17. Tell You Something (0:48)
18. No Love Me (0:47)
19. Burn Music (ane:11)
20. Whose Error (2:34)
21. End Titles (3:fifty)
22. Betwixt the Bars (Orchestral) (ane:09) – Performed by Elliott Smith / Arr. by Elfman
23. No Proper name #3 (3:04) – Performed past Elliott Smith
24. Say Aye (2:15) – Performed by Elliott Smith
25. Between the Bars (two:21) – Performed by Elliott Smith
26. Angeles (2:55) – Performed past Elliott Smith
27. Miss Misery (3:12) – Performed past Elliott Smith

Mathematics [edit]

In an early on version of the script, Will Hunting was going to be a physics prodigy, but Nobel Laureate in Physics Sheldon Glashow at Harvard told Damon that the subject should exist math instead of physics. Glashow referred Damon to his blood brother-in-law, Daniel Kleitman, a mathematics professor at MIT. Columbia University's physics and math professor Brian Greene at the Tribeca Sloan retrospectively explained that for physics, "Having some deep insight most the universe [⁠ ⁠.⁠ ⁠.⁠ ⁠.⁠ ⁠] typically [⁠ ⁠is ⁠] a group projection in the modern era," while "doing some mathematical theorem is a singular undertaking very often."^{[26] [27]} In the spring of 1997, Damon and Affleck asked Kleitman to "speak math to us" for writing realistic dialogue, so Kleitman invited postdoc Tom Bohman to join him, giving them a "quick lecture". When asked for a problem that Will could solve, Kleitman and Bohman suggested the unsolved informatics P versus NP problem, just the movie used other issues.

Patrick O'Donnell, professor of physics at the University of Toronto, served as the mathematical consultant for the moving picture.^[28]

The primary hallway blackboard is used twice to reveal Will Hunting's talent, start to the audition, 2nd to Professor Lambeau. Matt Damon based it on his artist brother Kyle visiting MIT's Infinite Corridor and writing "an incredibly elaborate, totally fake, version of an equation" on a blackboard, which lasted for months. Kyle returned to Matt, saying that MIT needed those blackboards "because these kids are then smart they just need to, you know, drop everything and solve bug!"^[29]

The first blackboard problem [edit]

Most the offset of the film, Will sets aside his mop to study a difficult problem posed by Lambeau on the blackboard.^[30] The problem has to exercise with intermediate-level graph theory, but Lambeau describes it as an advanced "Fourier system."

To answer the first function of the question, Volition chalks upward an adjacency matrix:

${\displaystyle A={\brainstorm{pmatrix}0&1&0&1\\1&0&2&1\\0&2&0&0\\1&1&0&0\end{pmatrix}}.}$

To answer the second part, he determines the number of 3-pace walks in the graph, and finds the third power matrix:

${\displaystyle A^{3}={\begin{pmatrix}2&7&2&3\\7&two&12&7\\2&12&0&two\\iii&7&2&ii\end{pmatrix}}.}$

The third and fourth parts of the question concern generating functions. The other characters are astounded that a janitor shows such facility with matrices.

The second blackboard problem [edit]

Lambeau afterward poses a new challenge on the blackboard: state Cayley's formula and "draw all the homeomorphically irreducible trees with ${\displaystyle n=10}$ ." Will writes eight of the x trees correctly earlier Lambeau interrupts.^[31]

Reception [edit]

Box part [edit]

In the film'due south opening weekend in limited release, information technology earned $272,912. In its Jan 1998 broad-release opening weekend, information technology earned $10,261,471. It went on to gross $138,433,435 in North America and a total worldwide gross of $225,933,435.^[3]

Disquisitional response [edit]

The moving-picture show was met with highly positive reviews. On the review aggregator Rotten Tomatoes, the film holds an approval rating of 98% based on 82 reviews, with an average rating of 8.10/ten. The website'southward disquisitional consensus reads, "It follows a predictable narrative arc, but Skilful Volition Hunting adds enough quirks to the journey – and is loaded with enough powerful performances – that it remains an entertaining, emotionally rich drama."^[32] On Metacritic, the picture show has a weighted average score of 70 out of 100, based on 28 critics, indicating "generally favorable reviews".^[33] Audiences surveyed by CinemaScore gave the film an average grade of "A" on an A+ to F calibration.^[34]

Roger Ebert of the Chicago Sun-Times gave the film three stars out of 4, writing that while the story is "predictable", it is "the individual moments, not the payoff, that go far and then effective".^[35] Duane Byrge of The Hollywood Reporter praised the performances of the cast, writing "The interim is vivid overall, with special praise to Matt Damon for his ragingly tender portrayal of the boy cursed with genius".^[36] Peter Stack of the San Francisco Chronicle was equally positive, writing "The glow goes well beyond a radiant performance by Matt Damon ... Intimate, heartfelt and wickedly funny, it'due south a movie whose impact lingers".^[37] Owen Gleiberman, writing for Entertainment Weekly, gave the picture a "B", stating "Practiced Will Hunting is stuffed – indeed, overstuffed – with center, soul, brazenness, and blarney. You lot may not believe a minute of information technology, only you don't necessarily want to stop watching". He also noted Damon's and Williams' chemistry, describing it as "a quicksilver intercepting each other's thoughts".^[38] Janet Maslin of The New York Times, called the screenplay "smart and touching", and praised Van Sant for directing with "style, shrewdness and clarity". She also complimented the production design and cinematography, which were able to effortlessly move the viewer from "classroom to dorm room to neighborhood bar", in a modest setting.^[39]

Quentin Curtis of The Daily Telegraph opined Williams' performance brought "sharpness and tenderness", calling the motion picture a "crowd-pleaser, with bags of charm to spare. It doesn't bear thinking too much about its message ... Damon and Affleck'due south writing has real wit and vigour, and some depth".^[forty] Andrew O'Hehir of Salon stated that despite the "enjoyable characters", he idea the moving picture was somewhat superficial, writing "there isn't a whole lot of movie to take domicile with you ... many will wake the next morning wondering why, with all that talent on paw, it amounts to so piddling in the end".^[41] Writing for the BBC, Nev Pierce gave the film four stars out of five, describing the movie equally "touching, without being sentimental", although he felt some scenes were "odd lapses into self-assistance speak".^[42] Emanuel Levy of Diverseness called the moving-picture show a "beautifully realized tale ... engaging and often quite touching". He felt that the film's visual style showcased Van Sant's talent, merely the plot was "quite predictable".^[43]

Academic response [edit]

Several scholars have examined the film as a portrayal of residual Cosmic–Protestant tensions in Boston, as Irish Catholics from Southie are aligned confronting ostensibly Protestant characters who are affiliated with Harvard and MIT.^[44]

Accolades [edit]

70th Academy Awards ^[45]

Won: Academy Award for Best Supporting Thespian – Robin Williams

Won: Academy Award for Best Original Screenplay – Ben Affleck & Matt Damon

Nominated: University Accolade for All-time Pic – Lawrence Bough (producer)

Nominated: Academy Award for All-time Director – Gus Van Sant

Nominated: Academy Award for Best Histrion – Matt Damon

Nominated: Academy Award for Best Supporting Actress – Minnie Driver

Nominated: Academy Award for Best Moving-picture show Editing – Pietro Scalia

Nominated: Academy Award for All-time Original Dramatic Score – Danny Elfman

Nominated: University Laurels for Best Original Song – "Miss Misery" (music and lyrics by Elliott Smith)

55th Golden Globe Awards

Won: Golden World Award for Best Screenplay – Ben Affleck & Matt Damon^[46]

Nominated: Gilt Globe Honour for All-time Motion Picture – Drama^[47]

Nominated: Gold Globe Award for Best Actor – Motility Motion-picture show Drama – Matt Damon^[47]

Nominated: Gilt Globe Award for All-time Supporting Histrion – Motility Motion picture – Robin Williams^[47]

4th Screen Actors Guild Awards

^[48]

Won: Screen Actors Lodge Award for Outstanding Performance by a Male Actor in a Supporting Office – Robin Williams

Nominated: Screen Actors Guild Honor for Outstanding Operation by a Cast in a Motion Picture

Nominated: Screen Actors Guild Honor for Outstanding Functioning by a Male Actor in a Leading Role – Matt Damon

Nominated: Screen Actors Guild Award for Outstanding Performance by a Female Player in a Supporting Part – Minnie Commuter

Other Major Awards / Nominations

Won: Silvery Bear for an outstanding single achievement, Berlin International Motion picture Festival – Matt Damon^[49]

Won: Humanitas Prize for Characteristic Film – Matt Damon & Ben Affleck^[fifty]

Nominated: Directors Guild of America Award for Outstanding Directorial Achievement in Motion Pictures – Gus Van Sant^[51]

Nominated: Writers Guild of America Accolade for Best Screenplay Written Direct for the Screen – Ben Affleck & Matt Damon^[52]

Come across also [edit]

• The Man Who Knew Infinity
• Ramanujan
• List of films about mathematicians
• Farmers and Fishermen: Two Centuries of Piece of work in Essex County, Massachusetts, 1630–1850

References [edit]

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6. ^ "The Unlikely Link Betwixt Metallica And Matt Damon". MTV News. March 11, 1998. Archived from the original on June 27, 2017. Retrieved May 8, 2018.
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27. ^ London, Jay. "How an MIT Professor Helped Good Will Hunting Get the Math Right—and Landed a Tiny Part in the Moving picture". MIT Alumni - Slice of MIT. Archived from the original on October 23, 2020. Retrieved May 10, 2018.
28. ^ O'Donnell relied on Graph Theory and Theoretical Physics past Frank Harary where at page 63 P.W. Kasteleyn wrote on "Graph theory and crystal physics".
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30. ^ Burkard Polster & Marty Ross (2012) Math goes to the Movies, Johns Hopkins Academy Press, page 9, ISBN one-4214-0483-4
31. ^ Jorgen Veisdal (July 31, 2019). "The Math Problems from Proficient Volition Hunting, w/ solutions".
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37. ^ Stack, Peter; Critic, Chronicle Staff (December 25, 1997). "FILM REVIEW -- 'Will' Has a Fashion About Information technology / Williams, Damon are funny and heartfelt in Van Sant's sure-handed drama". SFGate. Archived from the original on September 25, 2020. Retrieved Apr 28, 2020.
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External links [edit]

• Good Volition Hunting at IMDb
• Good Will Hunting at the TCM Movie Database
• Good Volition Hunting at AllMovie
• Good Volition Hunting at Rotten Tomatoes
• Skillful Will Hunting at Box Function Mojo
• Screenplay on IMSDb
• Grime, James. "The Real Skillful Will Hunting". Numberphile. Brady Haran. Archived from the original on April xix, 2017. Retrieved April vii, 2013.
• Then & Now: Revisiting Good Will Hunting – Boston.com

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Source: https://en.wikipedia.org/wiki/Good_Will_Hunting

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